Wolf Man’s Brilliant Nod to a 45-Year-Old Stephen King Film: A Masterclass in Horror References

Warning: This article contains SPOILERS for Wolf Man (2025)

Overview of Wolf Man (2025)

The 2025 film Wolf Man, directed by Leigh Whannell, is a modern interpretation of Universal’s classic 1941 monster movie. While the film has its imperfections, it makes a compelling case for utilizing a frequently referenced element from Stephen King lore. The story follows Blake Lovell, portrayed by Christopher Abbott, a writer and stay-at-home father. He relocates his family, including his daughter Ginger and wife Charlotte, to his childhood home after the presumed death of his estranged father, who vanished years prior.

On their journey, the family encounters a mysterious creature, leading to a car accident. Following this unsettling event, they seek shelter in the ominous, empty house of Blake’s father, where he begins to experience a terrifying transformation. The film’s climax reveals that the werewolf responsible for Blake’s affliction is none other than his own father. Although this plot twist may not catch many viewers off guard, it introduces intriguing adaptations to werewolf lore. However, the movie suffers from a thin storyline and insufficient character development, leaving Blake’s struggles to resonate less powerfully with audiences.

Exploring The Shining Easter Egg in Wolf Man

Overhead Shots Echoing Kubrick’s Classic

Despite its shortcomings, Wolf Man merits recognition for artfully employing a cliché from The Shining in a manner that aligns with the film’s broader themes. A notable sequence features an overhead view of the Lovell family’s vehicle navigating through winding mountain roads, reminiscent of the iconic drive to the Overlook Hotel at the outset of The Shining. This visual has become one of the most replicated shots in horror cinema history.

https://www.youtube.com/watch?v=apqqHA0l-zI

Foreboding Overhead Shots of Cars Driving On Long Roads In Horror Movies (https://www.youtube.com/watch?v=apqqHA0l-zI)

This specific imagery has appeared in numerous films, including Beetlejuice, Midsommar, Us, and many others. While it effectively warns the audience of impending isolation, it has unfortunately become a repetition within the horror genre.

Justification of The Shining Reference in Wolf Man

Parallels Between the Narratives of Wolf Man and The Shining

The recurrent motif of car journeys in horror has not gone unnoticed, sparking a compilation titled “Foreboding Overhead Shots of Cars Driving on Long Roads in Horror Movies”by the channel Where Have I Seen This. Yet, Wolf Man stands apart as it substantiates its shout-out to The Shining with a valid narrative anchor. Both films explore a stressed writer who retreats to an isolated setting, only to confront family traumas through supernatural events. Both Jack Torrance and Blake Lovell grapple with powers that threaten their loved ones.

While The Invisible Man, another film by Whannell, emphasizes toxic masculinity, Wolf Man similarly employs horror as a means to address this theme. Blake embodies the struggle between his nurturing side as a father and husband and the ravenous monster he becomes due to his neurological transformation. Just as Jack Torrance’s alcoholism exacerbates his vulnerability to the Overlook’s haunting, Blake’s troubled paternal legacy leads him to a doom-laden fate.

Limitations of The Shining Influence in Wolf Man

The Rushed Narrative Compared to Kubrick’s Masterpiece

Blake’s journey to confront his demons and mend his relationship with his late father resonates with themes present in The Shining. However, not every homage to Kubrick’s classic lands successfully. Unlike Kubrick’s film, which unfolds over weeks allowing for Jack’s gradual, believable spiral into villainy, Blake’s transformation occurs within mere hours, spanning only one night. This rapid pacing ultimately shortchanges the plot’s depth.

Consequently, while Wolf Man employs body horror effectively, deciphering Blake’s plight proves challenging. Unlike Jack, who embodies a tragic antagonist, Blake is primarily positioned as the protagonist, striving to shield his family from the werewolf’s terror. This shift complicates the film’s exploration of generational sins, as Blake appears largely blameless compared to Jack’s moral deterioration under the pressures of the Overlook’s haunting.

In summary, while Wolf Man benefits from clever references to Stephen King’s works, the execution of these borrowings varies in effectiveness. The film’s initial homage is particularly striking, yet some of its narrative connections subsequently falter.

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