Crafting the perfect series finale is a formidable challenge, and very few shows manage to accomplish it. While some memorable series have delivered spectacular finales, others have left fans feeling betrayed. However, What We Do in the Shadows has concluded with a flawless ending that resonates beautifully with its audience.
This FX comedy, inspired by the beloved film by Taika Waititi and Jemaine Clement, burst onto our screens in 2019 and captivated fans for six remarkable seasons. It has become a cultural touchstone, with memorable lines such as Matt Berry’s iconic declaration: “My sweet cheese, my good time boy.” As the dust settles following the show’s conclusion, the series finale, aptly named “The Finale,” provides a satisfying farewell for its devoted fanbase.
A standout moment in the finale features Nadja, played by Natasia Demetriou, as she hypnotizes viewers to visualize their ideal conclusion for the series. One particularly nostalgic vision references the classic ending of The Bob Newhart Show, wherein Nandor (Kayvan Novak) and Guillermo (Harvey Guillén) wake up side by side, revealing that their adventures were merely a whimsical dream. This imaginative twist offers fans a charming alternate reality where the two characters are a couple.
However, the more poignant aspects of the actual finale revolve around Guillermo’s quest to deliver closure. Contemplating a dramatic exit, he pretends to leave the house and abandon Nandor forever, but ultimately, the heart of the narrative lies in the genuine affection shared between these characters. In an emotional farewell, Guillermo closes his coffin but returns unexpectedly to disclose that his departure was merely for show, affirming their friendship this time in earnest.
Farewell to My Beloved Vampires
What We Do in the Shadows has been a remarkable series that shone precisely because its characters remained consistent and relatable. The setting—a Staten Island house where vampires struggle to navigate life—served as the perfect backdrop for their misadventures, emphasizing the show’s core focus: an amusing exploration of the challenges faced by inept vampires in America.
The dynamics within the group only heightened the humor. Nandor’s endless attempts to assert his strength, Guillermo’s quest for self-discovery, and Colin Robinson’s (Mark Proksch) ability to bore everyone into slumber were the perfect ingredients for comedic success.
As I bid adieu to a show that gifted us with timeless quotes and memorable moments—a phrase like “The most devious bastard in New York City” will surely stick with me—I find solace in knowing it ended on a high note. Although we could have easily indulged in 15 seasons of What We Do in the Shadows, the decision to conclude with six seasons allows us to truly cherish its legacy. The thought of where Nandor and Guillermo might venture next, or how Laszlo is interacting with his creations, lets the spirit of the show live on in our imaginations and collective love for it.
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