Using Nicole Kidman’s Feminism to Criticize Other Women is Unwarranted

Nicole Kidman’s Support for Female Directors: A Closer Look

In 2017, renowned actress Nicole Kidman made a significant pledge to champion female directors in the film industry. During her interview with Deadline, she remarked, “I’m in a place, at this stage in my life, where I can support female directors over and over again. It’s a very conscious choice.”Kidman underscored her intention to actively seek collaborations with women creators, emphasizing the importance of sustained support in an industry often criticized for its gender disparities.

Since making this commitment, Kidman has impressively collaborated with 19 female directors over the past eight years, showcasing her dedication to fostering women’s voices in cinema. This commitment has garnered renewed attention following her recent conversation with Time magazine, where she was honored as one of their Women of the Year. In this discussion, Kidman highlighted the harsher scrutiny films directed by women face in Hollywood, noting, “Films by women have to be perfect or they face judgment from the male-dominated film industry.”She passionately argued that change can only occur if female filmmakers are afforded opportunities to direct films.

While the conversation surrounding Kidman’s impactful stance is predominantly positive, it has also sparked an unnecessary comparison with fellow actress Natalie Portman. In 2020, Portman made waves at the Oscars by wearing a dress that bore the names of female directors who were overlooked for nominations. However, this bold statement was met with criticism, being labeled as “performative.” Since then, Portman is often brought up in discussions celebrating Kidman’s achievements, with some commentators questioning her true commitment to female directors. This scrutiny has led to debates within online communities, such as on Reddit’s Fauxmoi, regarding Portman’s choices regarding collaborations.

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Critics often propose that Portman’s production company, MountainA, does not prioritize hiring female directors. However, this notion is misleading. MountainA has produced three films, two of which were helmed by women: the documentary Angel City, directed by Arlene Nelson, and Lady in the Lake, featuring Portman and directed by Alma Har’el. Additionally, Portman’s upcoming project, The Gallerist, will be directed by Cathy Yan, further dispelling the myth surrounding her commitment.

It’s also crucial to recognize the difference in the filmography volume between Kidman and Portman. While both actresses are immensely talented, Kidman has had a more prolific output in recent years. Their personal circumstances may also play a significant role in shaping their project choices. Therefore, bringing Portman into the conversation when discussing Kidman’s notable achievements feels unjustified, especially since the two actresses are known to be friends.

It’s important to remember that Kidman is not alone in her initiative to work with female filmmakers. Actress Gugu Mbatha-Raw has also made concerted efforts in this arena, collaborating with female directors on many significant projects including Belle, Beyond the Lights, Jupiter Ascending, and A Wrinkle in Time. Her record demonstrates a nearly equal partnership of male and female directors, showcasing that multiple actresses are committed to changing the landscape of Hollywood.

Kidman’s role is indeed commendable; however, in the pursuit of gender equality in film, it is vital to uplift all women rather than creating competition. Supporting one actress’s achievements does not necessitate undermining another’s contributions. As the discussion around women’s roles in Hollywood evolves, let’s aim for collaboration and collective growth.

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