
Warning: Spoilers Ahead for the first three episodes of Paradise, currently streaming on Hulu.
Unveiling the Sci-Fi Twist in Paradise
Paradise initially presents itself as a political thriller centered on the assassination of a president. While the primary focus is on the aftermath of Cal Bradford’s murder, the show cleverly unravels a deeper narrative beneath its surface. The cast of characters, intertwined through flashbacks detailing their complex histories and motivations, adds a compelling aspect to the story. However, a significant sci-fi element emerges, radically shifting the viewer’s perception of the series.
This show is set within a domed metropolis, a feature that not only enhances the mystery but also hints at broader thematic concerns. This unique setting distinguishes Paradise from other mystery dramas, showcasing the versatility of the domed city concept. Its intriguing parallels with works from Stephen King and even The Simpsons emphasize how different narratives can explore similar themes through disparate storylines.
Exploring the Domed City Concept


The culmination of the first episode reveals an astonishing truth: the story unfolds within a city shielded by a massive dome, situated beneath a Colorado mountain. This revelation links Paradise to themes found in both Stephen King’s works and the popular animated series The Simpsons. The narrative hints at a cataclysmic event that has substantially altered the world outside, leaving the city’s inhabitants isolated.
This post-apocalyptic backdrop opens an array of possibilities for future episodes, particularly as the characters navigate the complexities and dangers of their environment. The subsequent episodes delve deeper into the motivations of Samantha Redmond and Gabriela Torabi, who played key roles in the city’s establishment, providing viewers with critical insights into their backstories and relationships.
Paradise vs. Under the Dome
One could argue that Paradise serves as a more concentrated iteration of Stephen King’s Under the Dome. Both narratives grapple with the existential implications of a sealed society, yet they diverge in execution and tone. King’s sprawling 2009 novel and its television adaptation presented a more chaotic rural setting, contrasting sharply with the meticulously controlled environment of Paradise.

While both stories investigate interpersonal dynamics under confinement, Paradise utilizes its limited runtime as a mini-series to maintain a tighter focus on character development. This results in a more intimate examination of individual motivations and relationships compared to the broader scope of King’s work. The stakes feel personal as viewers become more invested in the characters’ lives and conflicts.
Climate Change: A Shared Narrative Thread
Ecological Disaster as a Central Theme

Interestingly, Paradise draws thematic parallels to The Simpsons Movie, which also employs the domed city concept to comment on ecological crises. In the animated film, Springfield is enveloped in a dome due to extreme environmental degradation, making the situation a dire commentary on climate change. Both Paradise and the movie highlight the precariousness of human survival in the face of climate catastrophe.
Characters like Russ Cargill from The Simpsons and Samantha Redmond from Paradise illustrate the manipulative power dynamics between the wealthy elite and government structures. Each character’s actions significantly manipulate their environment to suit their purposes, setting up a conflict between their self-serving interests and the grounded struggles of the main protagonists. While Paradise leans toward dramatic storytelling, The Simpsons adds a layer of comedic chaos, demonstrating how the same narrative device can yield vastly different tones and messages.
In conclusion, while Paradise may echo familiar narratives, its unique character focus and engaging plot twists breathe new life into the domed city trope, making it an intriguing addition to the realm of sci-fi storytelling.
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