
With the exhilarating conclusion of Star Wars: Skeleton Crew, showrunners Jon Watts and Christopher Ford have shared their reflections on the season finale and provided tantalizing hints about the possibilities for a potential second season. They delve into the motivations behind Jude Law’s enigmatic character, Jod Na Nawood, who challenges the conventional narrative of redemption typically associated with Star Wars characters. Furthermore, the creators explain their decision to avoid notable cameos, focusing on character development instead.
As the first season of Skeleton Crew wraps up, viewers are left with numerous questions about the intricacies leading to this well-received finale and the series’ future direction. After a perilous journey through the galaxy, the young protagonists are back in At Attin; however, they must confront a formidable adversary who once aided them, threatening the safety of their sheltered community. The upheaval in their lives signifies that none of them will return to normalcy.
In a recent chat with ScreenRant’s Joe Deckelmeier, Watts and Ford discussed various aspects of the finale, including their creative choices for the characters and their vision going forward. They explore the tension between adhering to established Star Wars conventions while simultaneously breaking the mold, expressing a hint of envy towards the narrative freedom showcased in Andor. Additionally, Watts unveiled an unexpected surprise regarding Easter eggs that extend beyond the Star Wars narrative.
Understanding Jod Na Nawood: A Deliberate Characterization and the Absence of Redemption
“We were scared, but I think the virtue of Jude’s performance is what made that work.”



ScreenRant: For Jod’s ending, what do you think happened to him after his pirates were wiped out, and did you ever consider offering him a redemption arc typical of Star Wars?
Jon Watts: It’s quite amusing to see how viewers reacted to his character episode by episode, being convinced he would have a classic redemption arc, while we knew that wasn’t the case.
Christopher Ford: We intentionally leaned into the idea that he developed feelings for them, only to ultimately distance himself. This behavior mirrors his interactions with others, like Kh’ymm or Pokkit, showcasing his struggle with emotional attachment.
Jon Watts: Not providing him with a redemption twist really caught viewers off guard, which added an element of surprise about what could happen next.
Christopher Ford: We were nervous about it, but Jude’s charming performance kept audiences invested, even if they disliked him.
Jon Watts: His portrayal reflects a man reluctantly trapped in a morally ambiguous role, making his character compelling to watch.
Christopher Ford: I read somewhere that he wasn’t trying to be good; he was intent on being bad.
Final Scene Insight & Potential Directions for Season 2
“It’s like this whole new society suddenly having to get up to speed with what’s actually going on in the world.”



ScreenRant: Speculations have arisen regarding potential cuts from the finale. Was that final scene planned from the beginning?
Jon Watts: Absolutely. While we trimmed some aspects for pacing, the finale concluded with Wim gazing at the sky, with the X-wings soaring above.
Christopher Ford: It depicts his realization that he is now in the Star Wars universe.
Jon Watts: It encapsulates his awe, being part of something larger.
Christopher Ford: We drew inspiration from older films, which often had abrupt endings.
Jon Watts: We wanted to echo that narrative style, reminiscent of how films of yesteryears wrapped up.
ScreenRant: Do you foresee Wim pursuing a Jedi path?
Jon Watts: By the finale, while Wim may be less inclined to become a Jedi—especially after his experiences with Jod—it seems he’s more interested in becoming an X-wing pilot.
ScreenRant: If these characters further develop in future seasons, do you have an envisioned trajectory for them within the broader Star Wars canon?
Jon Watts: Certainly, we’ve outlined their growth and how they will integrate into the larger galaxy dynamics. We have strategic ideas for their trajectories.
Christopher Ford: What’s exciting is that this part of the galaxy is currently evolving, especially as it pertains to events leading into the sequels.
Jon Watts: At Attin now faces a dynamic shift as a previously isolated world thrust into galactic reality. This shift opens numerous compelling narratives.
While a second season of Skeleton Crew remains unconfirmed, the potential for connections with upcoming projects—such as the highly anticipated film focusing on The Mandalorian and Grogu—could position the characters at the heart of unfolding chaos. This connectivity had already been subtly hinted at in the first season.
The Rationale Behind Avoiding Cameos in Skeleton Crew
“If anything, they were like, ‘Yeah, if any opportunities come up, we’re totally open to that,’ but we were focused on making our story work.”

ScreenRant: Given that Skeleton Crew overlaps both in time and location with the Mandoverse, did you contemplate any character cameos?
Christopher Ford: We were certainly open to the idea.
Jon Watts: Lucasfilm indicated that we weren’t restricted from including cameos; if opportunities arose, we were welcome to explore them. However, our primary goal was to enhance our narrative, leading us to finish the season without the need for cameos.
Christopher Ford: As we discussed potential cameos afterward, we realized they could disrupt the flow of our narrative, so we steered clear of that.
Jon Watts: My focus is on fostering an audience connection with our characters, avoiding reliance on cameos. This sets the stage for potential future interactions within the broader Star Wars universe as they evolve.
This perspective encapsulates a commendable approach from Watts and Ford amid a landscape rife with frequent cameos in Star Wars live-action series, particularly within the “Mandoverse.”While familiar faces could have added excitement, the integrity of the story was paramount, preventing any distractions that could undermine its essence. While there’s always potential for recognizable characters in a prospective season 2, the creators made a wise choice to keep their narrative self-sufficient.
Navigating Star Wars’ “Rules”While Paying Homage to Iconic Characters
“I understand the thinking behind the rules, and some of them are tighter than others, but they’re all still more like guidelines.”

ScreenRant: There are widely discussed “rules”in the Star Wars realm, such as restrictions on certain props. Considering that we encountered pirates wielding knives and Kh’ymm holding a scroll, could you elaborate on these so-called “rules”? Did you face pushback on any creative aspects?
Jon Watts: The scroll wasn’t precisely that; we treated it more as a tapestry. That’s how we navigated that rule.
Christopher Ford: Though some rules are quite stringent, I perceive most as loose guidelines.
For example, it was historically said there could be no glasses, yet we included them in our narrative. We were thrilled to showcase Wim’s dad (Wendle) wearing glasses. Similarly, rumors of “no zippers”circulated, but we cleverly integrated them as per Doug Chiang’s inspiration.
Rules regarding objects, from zippers to knives, become flexible as we incorporate elements that enhance storytelling.
Jon Watts: Our envy for Andor stemmed from their innovative inclusion of cereal—we had ambitions to pioneer that one!
ScreenRant: The inclusion of chewing gum was a delightful surprise. Your characters echo familiar Star Wars archetypes—Wim invokes Luke Skywalker, while Fern reflects Leia, with that iconic “Princess”label in the finale! How did you balance these archetypes and give them depth?
Jon Watts: Star Wars thrives on archetypes; we initiated with broad sketches. Notably, these aren’t only Star Wars archetypes but resonate deeply with the universal “coming of age”experience.
Christopher Ford: This balance showcases Joseph Campbell’s insights—specific character traits bring these archetypes to life, forming a fascinating paradox about depth versus fairytale simplicity.
Jon Watts: Our casting process allowed the young actors to infuse their personalities into the roles, transforming archetypal characters into nuanced individuals.
Initially, we conceptualized Wim as a more introspective character, but the actor’s lively nature influenced how we developed him and made him relatable.
Exploring Concept Art and Beyond: Easter Eggs from Skeleton Crew’s Showrunners
“There was also a thing where people find Easter eggs that we didn’t put there.”

ScreenRant: I hope to see deeper explorations of character arcs as I’ve become invested in them. One piece of concept art hinted at six children rather than four—is that accurate, or were they always intended to be four?
Christopher Ford: The core concept always centered around four children. What was this artwork?
Jon Watts: We considered a version with a smaller character (SM-33) which might have suggested additional silhouettes. I can’t pinpoint what specific concept art you’re referring to.
ScreenRant: Almost like a silhouette concept art! Speaking of Easter eggs, given your history with carefully hidden references, is there something in Skeleton Crew that remains undetected?
Jon Watts: Interestingly, there’s an elusive Easter egg from No Way Home that nobody has yet found.
Fans have eagerly uncovered many intentional Easter eggs, yet some references to our earlier YouTube content went unnoticed.
Christopher Ford: People identify connections to mainstream films while glossing over our personal references, which adds a layer of intrigue.
Discovering More About Star Wars: Skeleton Crew
All Episodes Are Now Available for Streaming on Disney+





Set within the expansive Star Wars universe, Skeleton Crew follows four young adventurers as they wander through the galaxy in search of their home planet. The series captures their thrilling explorations and interactions with a myriad of worlds and beings, offering themes of friendship, self-discovery, and the yearning for belonging. Amidst their escapades, they forge strong bonds that must withstand the trials imposed by a perilous universe, encountering threats beyond their wildest imaginations.
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