
Rosé’s Chart Performance Sparks Debate on Solo Popularity
Recent chart statistics on MelOn have ignited fervent discussions among fans regarding Rosé’s standing as a solo artist. This dialogue was primarily fueled by a forum thread titled “Rosé’s Results Have Been Way Too Low Since APT.,”where the original poster (OP) shared a screenshot showcasing the underwhelming performance of Rosé’s songs, “toxic till the end”and “number one girl.”
Fans Question the Influence of ‘APT.’
The OP’s commentary highlighted a growing sentiment that Rosé may have gained temporary popularity due to her collaboration with Bruno Mars on “APT.,”suggesting that this association may overshadow her genuine fanbase and appeal as an individual artist.
In an eye-catching caption, the OP remarked, “She got that Bruno buff, but seeing this, doesn’t this mean that her actual fandom and popularity is so-so?”This comment prompted further exploration into the nuances of Rosé’s success and the validity of her fan support.
Knets discuss Rose’s popularity compared to the other Blackpink membershttps://t.co/RjNuvS8Ica pic.twitter.com/Qxg184GsYc
— pannchoa (@pannchoa) January 20, 2025
Mixed Reactions from the Fanbase
Amidst these discussions, various opinions surfaced. One netizen remarked, “Even overseas, people said that she got the Bruno buff,”while another countered with, “It’s because she doesn’t have Bruno anymore.”These insights underline the contrasting perceptions of the weight carried by her previous collaborations.
Supporters of the Bruno Mars collaboration defended the decision, acknowledging its strategic role in generating excitement leading up to Rosé’s debut full-length album, “rosie.”One user articulated, “It was a good idea to have the Bruno collab as her first single to hype up people for her next single and album ultimately.”
Conversely, criticism emerged regarding subsequent releases, with some fans arguing that post-“APT.”music has failed to resonate, stating, “But it just went downhill after ‘APT.’ The single after that was a snoozefest, then the album was also a snoozefest, and the album rollout was just a whole mess.”
Support from Dedicated Fans
Despite the backlash, several admirers rushed to Rosé’s defense. One fan voiced their frustrations, saying, “I’m tired of the daily drag fest of the active third gen groups. They are winning, especially Rosé.”Another supporter emphasized, “Doesn’t matter. Still the same singer and that speaks volumes,”reinforcing loyalty amidst fluctuating perceptions of success.
The dynamic discussions surrounding Rosé’s chart performance illustrate the complexities of fame and fan support in the rapidly evolving music landscape of K-pop.
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