Overview
- The track “BFG Division”from the 2016 Doom reboot has achieved over 100 million streams on Spotify, marking a significant achievement for composer Mick Gordon.
- The Doom franchise has a rich legacy in the first-person shooter (FPS) genre, with its heavy metal soundtrack contributing greatly to its cultural impact.
- Mick Gordon’s experience extends beyond Doom, encompassing music for renowned FPS games such as Wolfenstein and Borderlands.
The iconic track “BFG Division”from the official soundtrack of the 2016 Doom reboot has recently crossed an impressive milestone, amassing over 100 million streams on Spotify. This remarkable achievement highlights both the game’s enduring popularity and the talent of its composer, Mick Gordon. This high-energy metal piece plays a pivotal role in enhancing the game’s adrenaline-fueled action sequences.
Since its inception, the Doom series has left a profound mark on the gaming industry, with the original title revolutionizing the FPS genre in the 1990s. It established many familiar gameplay mechanics and design elements that continue to influence modern shooters today. The series’ sustained appeal can be attributed not only to its thrilling gameplay but also to its dynamic, heavy metal-inspired soundtrack, which has gained a substantial following within both gaming circles and popular culture.
Mick Gordon took to Twitter to celebrate the achievement of his track “BFG Division,”sharing a banner that boasted its impressive streaming numbers alongside an array of celebratory emojis. This announcement further underscores the lasting impact of his contributions to the franchise.
Streaming Numbers Reflecting Doom’s Lasting Legacy
pic.twitter.com/W2GCq7xKi1 — Mick Gordon (@Mick_Gordon) January 6, 2025
As a celebrated composer, Gordon has crafted many of the series’ defining tracks, effectively creating a musical backdrop that matches the fast-paced gameplay for which Doom is known. He also returned to create the musical score for Doom Eternal, further solidifying his integral role in the franchise’s sonic identity.
Moreover, Gordon’s extensive career is not limited to Doom. He has lent his musical expertise to other notable FPS titles, including Wolfenstein II: The New Colossus, also developed by id Software. His work transcends the Bethesda umbrella, with tracks featured in Borderlands 3, a project by Gearbox Software and 2K, alongside various other ventures.
Despite his significant contributions to the series, Gordon will not be returning to compose for the future title, Doom: The Dark Ages. He cited challenges faced during the development of Doom Eternal, such as corporate constraints and internal conflicts, which hindered the quality of his work, leading him to step back from the project.
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