Warning: Contains spoilers for One Piece chapter #1138. From its inception, One Piece has woven an intricate tapestry of history, with the enigmatic Void Century playing a pivotal role. The narrative emphasizes the need for current characters to rectify the remnants of the past, an ongoing theme that resonates deeply within the storyline.
The significance of history in One Piece has never been clearer than in chapter #1138, which revolves around the Harley, an ancient text from Elbaph detailing the island’s legends. While seemingly just folklore within the story, the Harley text provides a chilling account of the world’s apocalyptic history and ominous implications for the manga’s climactic battle. This chapter emerges as one of the most monumental in the franchise, brimming with tantalizing insights.
Revelations About The Pre-Void Century World
Unveiling The Origins Of One Piece’s Universe
Previous chapters hinted at the world facing destruction on two separate occasions, and chapter #1138 finally dives into specifics. The Harley text’s first segment lays out a narrative regarding the “First World, ” a historical era preceding the Void Century. When examined alongside the mural discovered by Franky, it illustrates a grim picture of humanity in bondage, extracting a luminescent substance from the Earth. While the nature of this material remains ambiguous, it suggests that the inhabitants of One Piece’s First World were enslaved to harvest the Mother Flame to power Uranus.
The narrative continues with the enslaved populace appealing to a sun deity, presumably referencing Nika, who has been previously portrayed as a harbinger of freedom for those in servitude. Following this, the account becomes less distinct, depicting a struggle for liberation which culminates either in defeat or abandonment, plunging the world into darkness, allegedly under the control of the Earth God and a hellfire serpent. The prevailing theory is that this scenario describes the emergence of the Red Line.
Insights Into The Void Century
Examining One Piece’s Most Enigmatic Age
The “Second World, ” as recounted in the Harley text, clearly pertains to the Void Century, making it easier to discern its narrative. This text details Joy Boy’s rebellion against the Ancient Alliance, which culminated in failure. Subsequently, this alliance (with the exception of Alabasta) established the World Government and became the first Celestial Dragons. The mention of “the Sea God stormed” likely alludes to the World Government’s cataclysmic actions to inundate the world, reducing vast landmasses to islands.
Additionally, a fascinating implication arises regarding the People of the D. A reference to “those of the half-moon dreamed” seemingly connects to the People of the D., given that a half-moon visually resembles the letter “D.” The association of lunar imagery suggests a deeper bond between the People of the D.and perhaps the Kozuki clan or the forebears of the Skypieans and Shandians, a concept to be explored in future chapters.
Moreover, a significant revelation concerning Devil Fruits emerges. As noted, the text surrounding the Second World references a Forest God subduing demons alongside Joy Boy’s struggles. This strongly indicates that Devil Fruits originated during the Void Century, with the Gum-Gum Fruit, also known as the Human-Human Fruit, Model: Nika, likely being among the earliest. The origins of Devil Fruits have remained one of the greatest mysteries in One Piece, making this implication particularly compelling.
Transformative Changes Within One Piece’s Universe
Altered Perspectives On One Piece’s Lore
While the Harley texts for the First and Second Worlds unveiled numerous monumental insights into the past, they omitted a crucial aspect. The mural which Franky discovered complements the Harley text visually but reveals one striking detail: it depicts inhabitants of the First World residing in a city exhibiting modern architectural design.One Piece is known for its anachronistic elements, yet such depictions of contemporary living are rare, heavily implying that the world once possessed technology remarkably akin to our own.
Setting The Stage For An Epic Conclusion
Anticipating One Piece’s Grand Finale
The narrative surrounding the “Third World” is notably sparse compared to its predecessors, mainly discussing how people resonate with the call of the half-moon and the promise of a new dawn. This narrative recapitulates essential concepts, such as the significant role the People of the D.play and Luffy’s destined mission to fulfill Joy Boy’s legacy by liberating the world from Imu and the oppressive World Government.
What stands out in the Third World is both its imagery and implications. The mural vividly illustrates Joy Boy’s confrontation with Imu, featuring allies such as EMET and Poseidon, alongside various factions like the Kozuki family, ancient giants, Minks, and Lunarians. This suggests that Joy Boy managed to consolidate a vast alliance against Imu yet ultimately succumbed to defeat, adding weight to the narrative’s unfolding events.
Furthermore, the mural not only underscores Imu’s formidable power through the allies they overcame but also indicates that Luffy, following the legacies of Nika and Joy Boy, must rally a coalition of some of the strongest individuals from across One Piece to stand a chance against Imu’s tyranny and save the world. This dynamic builds significant anticipation for a climactic confrontation that befits the grandeur of the One Piece storyline, raising expectations for a satisfying culmination when that moment arrives.
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