Mononoke the Movie: The Phantom in the Rain is a visual masterpiece that, regretfully, bypasses traditional theatrical release. Even a fleeting, limited screening would have allowed audiences to experience the rich artistry inherent in this film. Rarely do we encounter anime that can visually captivate, akin to the beloved original Mononoke.
This film marks Kenji Nakamura’s return to directing after his last project, Gatchaman Crowds Insight, in 2015. Since then, he has effectively been in a creative incubation period, preparing to helm a new trilogy that revisits the supernatural horror narrative conceived in 2006. The central character, the “Medicine Seller,”operates as an exorcist, traveling through realms motivated by a deeper quest for truth.
A Phantom Dwells Within the Ōoku
The narrative begins within the confines of the Ōoku, a surreal palace and harem governed by Lord Tenshi, where men are barred from entering. Excitement fills the air as crowds gather at the gates, presenting offerings for a ceremonious celebration of the Lord’s newborn—a ceremony suspiciously postponed. Among the visitors are Asa and Kame, commencing their roles as maidservants.
Despite just meeting, Asa and Kame quickly form a bond, honored to serve in the harem. Yet, their arrival coincides with a period of mystery and unease. High tensions arise as two men gain access to the Ōoku to investigate the delay of the birth celebration, while the Medicine Seller lurks outside, observing with intent.
Putting Mononoke in Context
In many respects, Mononoke the Movie mirrors the narrative depth and aesthetics of the original TV series. The Medicine Seller must uncover the essence and story of the spirits, often revealing the sufferings that rendered them Mononoke in the afterlife.
Nevertheless, despite retaining many core elements, The Phantom in the Rain introduces a distinct feel, likely influenced by the transition to film. While some components echo the revered series, not every alteration resonates with grace. What may serve well on television may not translate seamlessly to the cinematic experience, yet Nakamura’s adept direction successfully captures the heart of the original.
Mononoke Makes Haste at Some Cost
Traditionally adept at creating suspense, Mononoke embraces a more concise storytelling approach in this iteration. While the original series developed tension gradually, this film accelerates its pacing. This could be a double-edged sword, enabling swift engagement but also risking the depth of atmosphere previously cultivated. Nakamura’s competence is evident, using visual storytelling to convey profound character nuances efficiently.
The film, however, bears a challenge: its ensemble cast is broader than before, with stunning designs by Yuuichi Takahashi. Unfortunately, viewers may only connect with a limited few by the film’s conclusion. Still, this flaw may diminish further into the trilogy, with the subsequent installment promising a continuation of the Medicine Seller’s endeavor within the Ōoku.
Furthermore, while the film’s pacing remains robust, it occasionally stumbles, especially concerning characters central to the first part. This characteristic often compels a second viewing, attributed to its layered complexity and rich storytelling, although some may find the climactic sequences unravel too quickly, leaving unresolved elements.
A Mesmeric Tale About Sacrifice
However, the aforementioned pacing concerns may vary for viewers based on their engagement level, with plenty of intricacies waiting to be unearthed. Mononoke is renowned for its striking art style; the film exhibits a texture reminiscent of painted parchment that adds depth to its visual presentation.
The color design is nothing short of exceptional, showcasing an extensive spectrum without appearing chaotic or excessive. Instead, each color is wielded with purpose, contributing to a world that feels both fantastical and human, with characters embodying a spectrum of virtues and vices.
How Mononoke Explores Its Themes
A central theme of Mononoke is its exploration of women’s injustices. Notably, this theme played a significant role in the decision to recast Takahiro Sakurai, the original voice of the Medicine Seller, following a scandal that could undermine the film’s context. Hiroshi Kamiya steps in, delivering a performance that seamlessly integrates into the narrative.
As Asa and Kame commence their journey, they face an initial challenge: discarding items of personal significance. This task symbolizes the pressure to erase their identities for the sake of duty within the Ōoku. This expectation reflects a recurring sacrifice women have historically faced, leading to a buildup of resentment that often culminates in the emergence of the Mononoke.
Closing the Book on Part 1
The screenplay deftly navigates thought-provoking themes, with Asa and Kame’s evolving relationship at its core. Asa exemplifies brilliance and determination, excelling in her responsibilities while striving to retain her individuality. Conversely, Kame’s more vibrant nature contrasts with her vulnerabilities, making her susceptible to the harem’s competitive dynamics. Their character depth resonates, albeit Kame occasionally veers towards irritation.
Mononoke the Movie: The Phantom in the Rain is a visual tour de force that regrettably lacks a theatrical release, deserving to be experienced on the grandest scale possible. Don’t overlook its powerful soundtrack; the score by Taku Iwasaki is as vivid as the film’s colorful tapestry.
Mononoke the Movie: The Phantom in the Rain is available for streaming on Netflix.
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