MAGA’s Ongoing Anger Over ‘Snow White’ Adaptation

Disney’s upcoming live-action adaptation of Snow White has ignited controversy, particularly among certain political factions who accuse it of being excessively “woke.”This backlash intensified once the casting of Rachel Zegler as the titular character was announced.

Since Zegler’s casting, a wave of discontent has emerged, particularly from supporters of the MAGA movement. Their criticism initially stemmed from Zegler’s candid reflections on the original 1937 film, Snow White and the Seven Dwarfs, which she described as flawed. This prompted a vociferous backlash, exacerbated by her advocacy for fair wages during the SAG-AFTRA strikes.

Currently, critics are upset that the iconic song “Someday My Prince Will Come” is absent from the new film. Rather than a traditional prince, Snow White will have a character named Jonathan, portrayed by Andrew Burnap, which seems to further fuel discontent among conservative viewers.

The MAGA commentator Jack Posobiec took to social media to express this dissatisfaction, highlighting the absence of the original song and portraying the film as a departure from its classic roots. While his statements about the movie’s changes are factual, it is worth noting that these changes reflect a modern perspective that aims to breathe new life into the story. Another user remarked, “It’s not Snow White. Not sure why they didn’t just call it something else, ” to which one could argue that it still adheres to the essence of the original tale.

In place of “Someday My Prince Will Come, ” the new film features a song titled “Waiting On a Wish.” This number represents a critical shift by providing Snow White with greater agency, as it focuses on her aspirations and desire to escape from the malevolent influence of the evil queen. This “I Want”song, conceptualized by Lehman Engel in the 1950s, marks a progressive step away from the traditional narrative.

Waiting On A Wish | Official Music Video | Disney's Snow White | Disney UK (https://www.youtube.com/watch?v=xTd1eYBC_-w)

Empowerment Over Dependency

Critics have long pointed out that the original portrayal of Snow White promotes a problematic narrative of dependency, as she ostensibly waits for a prince to rescue her. The new adaptation seeks to rectify this by allowing her more control over her own destiny. In this version, Snow White actively engages with the dwarves, fostering communication and collaborative problem-solving, and ultimately recognizing the need to protect those around her by moving forward.

Rather than a distant savior, the character Jonathan is depicted as an actor turned bandit, deeply rooted in the shared history and challenges of their homeland. This reimagining lends itself to a more relatable and meaningful relationship, as it evolves beyond mere fantasy.

Furthermore, the dynamic between Jonathan and Snow White is crafted to feel authentic and significant, enhancing the emotional weight of their connection. Their love story unfolds naturally, culminating in a moment that transforms his kiss—initially perceived as eerie due to its context—into a heartfelt reflection of love.

It appears that some factions, particularly within the MAGA community, resist any form of evolution in storytelling. They seem to view such changes as threats rather than opportunities for growth and empowerment. Ultimately, the new Snow White aims to inspire young girls by illustrating that kindness and agency are indeed powerful attributes. Their anger, while pronounced, may ultimately serve to highlight the film’s potential to empower rather than harm.

Source & Images