Latest Features and Updates in DaVinci Resolve 20.2

Unlock Your Creative Potential with DaVinci Resolve

DaVinci Resolve stands out as a comprehensive post-production tool that seamlessly integrates editing, color grading, visual effects, motion graphics, and audio post-production into a single platform. Its intuitive and contemporary interface caters to both novices and seasoned professionals alike. This unique software not only accelerates your workflow but also elevates the quality of your projects, allowing you to maintain camera original quality throughout the editing process. With DaVinci Resolve, it feels as though you have an entire post-production studio right at your fingertips. Moreover, mastering this software means you are utilizing the very same tools utilized by industry professionals in Hollywood.

Collaboration at Its Best

One of the standout features of DaVinci Resolve is its design for collaborative work. It allows multiple editors, assistants, colorists, VFX artists, and sound designers to work concurrently on a single project. Whether you are an independent artist or part of a larger team, the capability for simultaneous collaboration makes it evident why DaVinci Resolve is the preferred choice for high-end post-production, powering numerous Hollywood feature films, episodic television series, and commercials.

What’s New in DaVinci Resolve 20.2

The latest update, DaVinci Resolve 20.2, introduces several enhancements across various pages. Below is an overview of key features and improvements:

URSA Cine Immersive Workflow Enhancements

Streaming capabilities from the Fusion page to Vision Pro.
Added support for immersive options within PanoMap.
Incorporation of immersive world pose rotations and flips.
Rendering stereoscopic 3D in full side-by-side or top-bottom formats.
Node stack support specifically for stereoscopic 3D workflows.
Streamlined immersive EXR workflow functionalities.

Cut Page Improvements

Enhanced replay stinger transition handling for interlaced timelines.
Refined feedback on replay editor and ATEM switcher for cueing replays.

Edit Page Features

New sync lock controls allow ripple editing independent of auto selection.
Improved ripple trimming that maintains sync during edit actions.
Automatic display of the trim editor while performing dynamic trimming.
User preferences can now switch to single viewer mode within the trim editor.
Enhanced patching features for source and destination tracks in the timeline header.
New timeline action to detach synchronized audio from video clips.
Support for adding custom metadata fields for better organization.
Flattening multicam clips now supports speed variations.
Audio track soloing is now available for the source timeline viewer.
Ability to reset the source track destination submenu to its default state.

Cut & Edit Page Advances

Menu actions have been updated to enhance keyframe movements across various axes.
The timeline now features a curve and keyframe editor with an action toolbar.
Enhanced multi-parameter toggle capabilities in the keyframe editor.
Guides now allow for individual color selections and locked states.
Option to switch between pixel and percentage views when managing guides.
Prioritization of mouse functions for Fusion and effects overlays over guide settings.
Audible beeps can now support voice-over countdowns.
Editing functions preserve audio bus automation effectively.
You can now ripple delete silence from selected clips effortlessly.
Transcriptions on macOS are now up to two times faster.
Voice conversion analysis on macOS has also been accelerated up to twofold.

Fusion Page Enhancements

Editing custom guides is now possible within Fusion viewers.
MultiText alignment and transformation controls have seen improvements.
Support for animated image inputs for USD tools has been added.
Enhanced multilayer support for the 3D renderer.
Support for multilayer AoV channels in the USD renderer.
Surface tracking performance has been enhanced, doubling its speed.

Color Page Updates

Introduction of the AI-driven Resolve FX Cinematic Haze effect.
New light effects in Resolve FX that can produce glow from alpha sources.
Clip navigation via clip numbers has been streamlined.
Ability to reset node colors for multiple selected clips quickly.
Advanced color panels maintain side panel states even after restarts.
HLG viewer output improvements, especially with viewer display profiles.
RCM and CST now implement the ITU BT.2408 standards for HLG and PQ conversions.
Resolve FX surface tracker performance has been improved, now doubling its speed.

Fairlight Page Features

Options to disable soft fades between clip edits in project settings.
Ramping settings for playtimes can now be adjusted from project settings.

Codec & I/O Enhancements

Now supports decoding for Apple ProRes RAW clips.
Encoding capabilities have expanded to include Samsung APV clips.
Support for decoding Sony ARW images has been integrated.
Compatibility with ARRICORE clips has also been added.
Single frame webp and gif clips are now imported as static images.

General Improvements

Hold down the ‘C’ key to skim-play head on viewers.
Exporting DRT timelines now includes linked media from Fusion compositions.
Support for current date and time tags in data burn and render functions.
Scripting APIs have been improved to enhance subtitle addition during render jobs.
APIs now support setting both timeline and media pool clip names.
Overall performance and stability improvements have been implemented.

Download Information

You can access DaVinci Resolve 20.2 by visiting the official download page. The size of the software is 2700 MB, with both free and paid upgrade options available.

Additional Resources

For more details and insights, visit the DaVinci Resolve website.

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