Julia Schlaepfer from ‘1923’ Hints That Alex Should Brace for the Worst in Season 2

Julia Schlaepfer from ‘1923’ Hints That Alex Should Brace for the Worst in Season 2

This season on 1923, Alex faces numerous challenges, and it appears that things might not improve anytime soon, according to Julia Schlaepher.

In an interview with TV Line, Schlaepher discussed an intense episode where Alex journeys to Grand Central Station. Her experience is harrowing; she is robbed and assaulted while trying to reach Spencer (Brandon Sklenar) in Montana. Schlaepher hints at more distress ahead for Alex and her fans.

Reflecting on a pivotal moment, Schlaepher shared, “After Ellis Island, she feels a little like, ‘OK, I can do this. I did that on my own. I survived the unimaginable. This is the worst thing that possibly could have happened.” She emphasized that as Season 2 begins, Alex is somewhat naive to the dangers the world poses. A slight kindness from a newsstand clerk and a Grand Central worker offers her a glimmer of hope, reinforcing that there are still good people in the world.

Despite thinking she had faced her worst moments, Schlaepher hints at a bumpy road ahead for Alex: “She is continuously, this season, digging deeper to find her will to keep going, ” suggesting that her journey is far from over.

The Contemporary Struggles of Women in 1923

Schlaepher notes the unsettling relevance of Alex’s experiences to present-day life. Her personal connection to the role is underscored by her own time living in New York City, allowing her to draw parallels between her feelings and those of her character.

“There’s something that feels so modern about it, ” Schlaepher remarked, acknowledging that while life was tougher in the past, women today still face fear and anxiety, especially when traveling alone. She noted that filming Alex’s frantic scene resonated deeply with her and the female crew members involved.

If you’ve ever navigated the bustling streets of New York, you likely felt a connection to Alex during her sprint to catch the train. Schlaepher humorously acknowledged that she was responsible for Alex’s footwear troubles during the scene: “We rehearsed it once, and my director [Ben Richardson] was like, ‘You’re not running fast enough.’ And I’m like, ‘It’s the shoes! I can’t be in these shoes. She needs to rip them off, ’ and he let me do just that.

Though Alex’s journey is relatable, it’s concerning to realize she may still face significant adversity ahead. After the trauma of Ellis Island, the anticipation of what lies in store for her is both frightening and compelling.

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