Emerging hip-hop artist Nettspend has unleashed a new single entitled F*CK SWAG, which is anticipated to be the lead track from his eagerly awaited debut mixtape, Bad A** F*cking Kid. Originating from Virginia, Nettspend has made a significant impact on music streaming platforms, boasting close to a million monthly listeners on Spotify.
Launched independently on October 3, 2024, the track is available across all major streaming services. The rapper teamed up with Cole Bennett’s Lyrical Lemonade to create a vibrant official music video for F*CK SWAG, featuring model Mazzy Joya.
The hard-hitting and dynamic production of F*CK SWAG comes from the talented William Dale Minnix III, also recognized as “Ok”. He is an up-and-coming producer who has worked with notable artists like Destroy Lonely, Glokk40Spaz, OsamaSon, among others.
Following the song’s viral spread on social media, listeners and reviewers have expressed their opinions on platforms like X (formerly known as Twitter), reflecting both excitement and criticism regarding Nettspend’s collaboration with Cole Bennett. One user notably criticized the direction of newer hip-hop artists, labeling their music as “cooked.”
While many fans within the hip-hop scene praised F*CK SWAG and the energetic visuals crafted by Cole, some expressed disappointment regarding the apparent shift in modern rap music.
“tuff im all ears”- A fan commended the visuals of F*CK SWAG.
“I like nettspend but bro wtf is this”- A fan expressed confusion.
“Idk what type of music this is but it’s already dead and garbage”- A critic argued.
“Get this Yeat ripoff outta here”- Another critic remarked.
“I honestly don’t get the hype of this kid but good on him for getting known out there”- Said a social media user.
“Nett really knows how to make great music he is a talent idk why he dumbs down his music to this”- A devoted fan observed.
“He got the best visuals”- A supporter commented.
“Bro I’m 22 and I feel like an old head bc blud this is a**”- A critic shared their thoughts.
Cole Bennett and Lyrical Lemonade received their share of scrutiny, with critics reminiscing about the early days of the production company, particularly their influential collaborations with the late Juice WRLD.
“We went from Juice to this. Miss the old Lyrical Lemonade”- A critic commented.
“putting any body on lyrical Lemonade”- Another user stated.
“bro u don’t HAVE to take the money. u can say no”- A critic shaded Cole Bennett and Lyrical Lemonade.
Analyzing Nettspend’s latest release ‘F*CK SWAG’
Nettspend’s rise has been gradual yet steady, from his music being featured in a Donald Trump TikTok campaign to being recognized by FADER magazine as one of “Gen-Z’s most promising hip-hop innovators.”
The release of F*CK SWAG is Nettspend’s fourth single of the year, following his earlier collaboration with OsamaSon on the single withdrawals, which launched on June 26, 2024, through Atlantic Records and Motion Music.
This new track showcases Nett’s distinctive mumble style paired with Minnix’s hard-hitting electric production, making listeners focus less on the rapper’s elaborate lyricism that delves into themes of excess, sex, and substance use.
With bold visuals characterized by energetic editing, engaging CGI, and striking “studio rain” effects, Cole Bennett’s direction amplifies the already vibrant experience presented by F*CK SWAG.
The title F*CK SWAG seems to reference the influential American streetwear brand Black Scale, also known as BLVCK SCVLE, which has been embraced by various prominent hip-hop artists like A$AP Rocky. Nettspend has been spotted wearing items from their “F**K SWAG” line during several performances.
Chorus Breakdown
“She said I’m for the ho-s, I’m for the ho-s in here / I got bullets goin’ whichever way I want ’em to go in, yeah / I don’t even wanna swing right now, I just want you to go home, uh / She got too drunk, too crunk off the Lulu’, she go so lit”
Nettspend kicks off F*CK SWAG with a hook driven by potent synths and robust basslines. The lyrics predominantly explore themes of excess and aggression, showcasing his competitive mindset.
“Uh, I went to Poland, do you still think that I’m jokin’? / Yeah, uh, ain’t no Wock’ in Poland, but we got some poles in / I’m not trollin’, ain’t far fetched to know this, b—h tryna flex a lil’ kissin’, yeah / Yeah, I’m tryna get my d–k wet, but it ain’t worth all that reminiscin”
Verse Analysis
“Huh, plot twist, b—h, I’m gettin’, pop two Percs, I act offended / I’m sippin’ pink, it ain’t Whitney, she wanna know what you do with me / Yеah, I’m f–kin’ Whitney and I’m f–kin’ Wendy / Don’t try f–kin’ with me ’cause you weren’t f–kin’ with me”
Nettspend transitions into his verse with the same energetic cadence established in the hook. His lyrics continue to explore themes of drug use and sexual escapades, notably referencing the vodka drink “Pink Whitney.”The concluding line suggests a critique of those who failed to support him during his rise.
“Uh, take me out my city, take me out my pity / Yeah, blastin’ Björk, I’m in Newark on the way to the bitty / Yeah, I sold every ticket, b—h, bought more outta Lenox, s–t / Seen more s–t when I was a kid, we got more times to get rich”
As the verse concludes, Nettspend reflects on his recent achievements and sold-out performances, embedding a reference to the famous Icelandic artist Björk. The track then leads listeners through the bridge and outro before wrapping up.
With a strategic blend of auto-tuned vocals, vibrant electronic production, and an engaging visual by Cole Bennett, Nettspend demonstrates a clear ambition to transcend his underground roots.
As he hints at future musical endeavors and fans eagerly await the launch of his upcoming mixtape, Bad A** F*cking Kid, Nettspend appears ready to dominate in 2025.
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