By Design Review: This Artsy Dramedy Makes Me More Fascinated by Chairs Than Ever Before

Directed and penned by Amanda Kramer, By Design presents a compelling exploration of human existence through the lives of overlooked and marginalized characters. The film invites viewers to deeply consider the unfulfilled desires of its protagonists, driving home the central theme of longing to be seen. While Kramer’s dialogue initially strikes as stilted, audience members may find that the film’s distinct style enhances its emotional depth as it unfolds. Featuring exceptional performances from Juliette Lewis and Mamoudou Athie, By Design delves into the pervasive loneliness stemming from the quest for recognition in a world that often reduces individuals to mere backdrops.

Camille: A Sympathetic Protagonist in By Design

At the heart of the narrative is Camille, portrayed by Juliette Lewis, a character grappling with apathy and the hollowness of her social interactions. Surrounded by friends, played by Samantha Mathis and Robin Tunney, who are more interested in their own trivial concerns than in truly engaging with her, Camille’s loneliness is palpable. She finds herself lost in a world where her needs are overshadowed by those of others. The story takes a poignant turn when Camille encounters a designer chair that symbolizes beauty and, crucially, the recognition she craves. This chair becomes a catalyst, representing her desire for validation and the emotional connection she lacks.

Enhancing the Narrative Through Performance Art and Production

From the outset, Camille emerges as a character to whom many can relate. Convinced of the sufficiency of her life, she manages to convince herself that her existence is not so terrible, despite being surrounded by friends who fail to listen meaningfully. This dynamic sets the stage for the film’s exploration of societal neglect and the yearning for connection. The voiceover reveals Camille’s previously unacknowledged jealousy sparked by the chair, showcasing a turning point in her emotional journey. When she aspires to own it, the chair becomes emblematic of her desire to be valued.

The film’s conclusion unexpectedly veers into heartbreak, leaving a lasting impact that resonates with viewers. Kramer’s integration of performance art enriches the narrative by forcing audiences to confront the absurdity of an unfulfilled life. Camille’s relationship with the chair pivots from materialism to a more profound commentary on the human condition, suggesting that in a world devoid of genuine affection, we may gravitate towards inanimate objects that provide a semblance of love and appreciation.

In a parallel story thread, Athie’s Olivier—a pianist who also endures a lack of emotional engagement—receives the chair as a gift from an ex-partner. This act instills in Camille a sense of acknowledgment, as she experiences her first real connection. Drawn to the chair much like Camille, Olivier finds himself engaging with it in a way that raises eyebrows among his equally superficial friends, highlighting the strange but potent bond that can form between individuals and objects in their lives.

Themes Explored in Depth in By Design

Outstanding Performances by Juliette Lewis & Mamoudou Athie

Through a series of escalating situations, By Design crafts a darkly satirical depiction of existence, reflecting on the hollow richness of life and the innate human desire for visibility and unconditional love. The film posits that significance is derived from our connections—Camille’s world is invigorated by the chair, just as Olivier infuses meaning into his life through its presence. However, it raises the question: without the ability to assign worth, what are these objects, or even our own lives?

Kramer’s utilization of the chair as a metaphor for existence highlights how individuals can feel isolated in a society that perpetuates superficial performances. The impactful conclusion, characterized by unexpected sorrow, serves to underscore the film’s themes, relentlessly challenging the audience to reconsider their own perceptions of fulfillment. The narrative structure, reminiscent of experimental theater, invites viewers to engage with the story on a more abstract level.

While By Design might not cater to all tastes—offering a less conventional narrative than most mainstream films—it remains approachable. The idiosyncratic dialogue may initially disarm viewers; however, the performances, particularly from Lewis and Athie, resonate with emotional depth and complexity. In an age where many feel confined by the societal boxes they inhabit, By Design dares to push boundaries, presenting a unique and thought-provoking cinematic experience.

By Design premiered at the 2025 Sundance Film Festival on January 23.

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