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Bloomberg Report: Crunchyroll’s Performance May Not Be As Strong As Expected

Bloomberg Report: Crunchyroll’s Performance May Not Be As Strong As Expected

Overview

  • Despite its significant global popularity, Crunchyroll encounters hurdles from emerging mainstream streaming alternatives.
  • The aftermath of Sony’s acquisition brings internal discord and staff turnover, potentially stunting Crunchyroll’s expansion.
  • Competition from giants like Netflix and Disney may adversely affect Crunchyroll’s production funding and its share of the market.

Crunchyroll reigns as the leading anime streaming service globally, unparalleled in its reach and the variety of localized content available in multiple languages. Unlike other platforms that often provide primarily English subtitles, Crunchyroll caters to a diverse audience by featuring both popular series such as One Piece and niche offerings, appealing to various preferences.

Even prior to its merger with Funimation, Crunchyroll was a standout in attracting a global audience. Following Sony’s acquisition, the conglomerate appeared to be on course to establish a formidable anime empire devoid of serious rivals.

However, a comprehensive report from Bloomberg indicates that this expectation may not be materializing as anticipated. Insights from Ampere Analysis reveal that new anime enthusiasts are often inclined to consume content via mainstream platforms like Netflix and Disney+, rather than niche distributors.

Employee Satisfaction Issues

Exhausted character from Shirobako

Bloomberg’s investigation involved discussions with 18 current and former Crunchyroll employees, highlighting strains that emerged post-acquisition. High-profile exits, including former CEO Colin Decker and COO Brady McCollum, have left the company grappling with stability issues. Decker indicated her departure was motivated by personal reasons and an ambition to pursue new ventures.

McCollum’s exit is particularly notable given his long tenure with Crunchyroll, spanning from its early days of streaming pirated content to its current status. Post-acquisition, the company has witnessed three rounds of layoffs and anticipates another reorganization by early 2025, which adds uncertainty to its workforce.

Insiders suggest that the current management, primarily from Funimation, may lack alignment with employee and consumer needs. Despite ambitious goals to expand to 25 million subscribers by the end of 2025, those within the company express skepticism regarding its feasibility due to inadequate market analysis. Although growth targets have been set for regions like India and Southeast Asia, only Latin America has met its subscription goals so far.

In efforts to tap into Asian markets, Crunchyroll is investing significantly in localization, offering subtitles and dubs in languages such as Hindi, Tamil, and Telugu. Their monthly subscription price in India is set at a mere $1, which raises questions about long-term profitability. Alarmingly, reports suggest a turnover rate exceeding typical industry averages of 5% to possibly over 8.5%.

Competition from Mainstream Services

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Disney’s and Netflix’s escalating investments in anime have intensified the competition landscape. Netflix, having once struggled, now boasts significant titles, including the forthcoming Sakamoto Days, while Disney has maintained exclusive streaming rights for Bleach and its sequels.

Licensing dynamics are evolving as companies like VIZ explore which platforms yield the best returns; select titles such as Dandadan and Zom 100 have been made available on both Netflix and Crunchyroll. Moreover, studios such as Toei and Toho appear eager to engage broader audiences, testing partnerships with mainstream giants.

Although Toei has continued collaborations with Crunchyroll—including popular series like One Piece—they too are experimenting with Netflix, which has aired several Toei titles shortly after their Crunchyroll premieres. Crunchyroll argues that shared titles can enhance overall viewership, bolstering subscriber numbers across both platforms.

Nevertheless, the increased expenditure by mainstream platforms could elevate production costs, placing financial strain on Crunchyroll. Bloomberg’s analysis also indicates rising discontent among studios regarding Crunchyroll’s marketing approaches and management of merchandise rights for high-profile series. Multiple industry insiders have expressed distrust regarding revenue-sharing reports disseminated by Crunchyroll.

Crunchyroll’s Replies to Bloomberg

Crunchyroll logo alongside its offerings

In response to Bloomberg’s inquiries, Crunchyroll emphasized its diverse offerings, highlighting exclusive content, merchandise, and gaming experiences tailored for anime fans:

“There’s never been a more exciting time to be an anime fan, and we are strategically feeding a pipeline of anime content and experiences that fuels that fandom, deepens the love of anime, and exposes more audiences to the medium. The Crunchyroll business is outperforming our financial expectations, and the company is well positioned to continue to grow alongside the rising global demand for anime.”

Addressing concerns about recent layoffs, Crunchyroll added that it currently has 100 job openings globally and has experienced a 27% growth in staff. However, Bloomberg points out that the data does not clarify if this count includes Funimation employees who transitioned to Crunchyroll.

Toho and Toei did not provide comments for the report, leaving questions about their perspectives on the ongoing challenges within Crunchyroll.

Source: Bloomberg

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