Ben Shapiro’s Oscars Video Sparks Laughter Among Fans with ‘Sweet as F*ck’ Comments

Ben Shapiro’s Oscars Video Sparks Laughter Among Fans with ‘Sweet as F*ck’ Comments

The recent announcement of the Oscar nominations has led to a notable reaction from commentator Ben Shapiro. As a self-proclaimed cinephile, his criticisms, particularly regarding two nominees for Best Actress and Best Actor, have stirred considerable discussion.

In a recent video, Shapiro expressed his disdain for the Netflix film Emilia Pérez, which garnered an impressive 13 nominations. While opinions surrounding the film’s recognition vary, Shapiro’s critiques appear to stem from a transphobic perspective, focusing disproportionately on nominee Karla Sofía Gascón.

Additionally, Shapiro took issue with Sebastian Stan’s nomination for his role in The Apprentice. Despite openly admitting to reviewing a film he did not watch, he claimed that “no one”had seen Stan’s performance. Contrary to his assertion, many viewers appreciated the film and support Stan’s nomination, a point that seems lost on Shapiro.

An interesting observation made by Shapiro was his view that Stan’s nomination served as a slight against Donald Trump. However, the context suggests that the nomination reflects Stan’s talent, not a political statement. After all, many actors are hesitant to discuss The Apprentice due to its controversial theme.

Shapiro’s video further touched on Anora and The Brutalist. He seemed to dismiss Anora while professing curiosity about The Brutalist. However, given the film’s critique of societal privilege, it’s unlikely that Shapiro grasps its deeper implications.

Conclave Critique

Later in his video, Shapiro shared his thoughts on Conclave, another film he admitted to not watching. His critique leaned into transphobia, particularly regarding an intersex character, reflecting a broader misunderstanding of the narrative’s themes.

His primary contention involved Ralph Fiennes’ character recognizing the new Pope as intersex, which he addressed with a glaring lack of understanding. The phrase “Do you even Catholic, bro?” seems especially misplaced, as his commentary mirrors broader trends of the political right misinterpreting complex religious issues.

As his commentary continued, Shapiro acknowledged unfamiliarity with many nominated films, labeling the critically acclaimed Nickel Boys an “issue” film and attempting to critique Dune: Part II without grasping its narrative depth. His assertions underscore a troubling tendency to belittle films he has not engaged with.

Reflections on Screenwriting

Shapiro’s commentary serves as a poignant reminder of his limited understanding of cinematic art. His dismissal of what constitutes worthwhile content, marked by bitterness and a lack of nuance, shines through in this video. It reflects a worldview fixated on commercial success rather than artistic expression.

Clearly, Shapiro’s perspective demonstrates a disconnect from the essence that defines meaningful cinema, which often goes beyond box office performance. His views echo typical sentiments found in film circles that disregard deeper artistic dialogues.

In summary, Shapiro’s reactions to the Oscar nominations have hardly surprised anyone familiar with his platform. His positions are marred by transphobia and a refusal to engage with the films he’s critiquing. Thus, when considering his insights, it’s crucial to remember his lack of firsthand experience with many of the nominated projects.

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